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Johnny & The Devil
(1989 Blue Groove BG-2020)
Visions | Slow Train | Goin' down slow 2 | Goin' down slow | Bridges |
Songs from the Southland | Banjoman | Lifeline | RTL3 - Gitarre X 3 | Blue Grooves from Vienna | Journey on | Crazy moon | Hard Road Blues | Live | Call Me | Johnny & The Devil | Baby Wants To Boogie | Titanic | Cushioned for a soft ride inside
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Tracks:
· Johnny & The Devil |
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Hans Theessink: vocals, guitars, dobro, mandolin, steelbody guitar, mandocello, fiddle, harmonica, jew´s harp, backing vocals |
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(Hans Theessink) | |
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Johnny was a countryboy
Now the devil he played with golden fingers
The river runs on so freely - the river runs to the sea
Johnny talked to the river
Up came the devil and he spoke to Johnny The river runs on so freely ...
Johnny can jive and Johnny can boogie
Now the people came from near and far
Sometimes in the dead of night The river runs on so freely ...
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(Hans Theessink) | |
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I'm a travelling man and the highway is my home
Gypsy woman told my mama on the day that I was born
I'm a picker and a singer - don't have much company
Put my thumb in the wind - tryin' to catch a ride I'm a travelling man ...
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(Jimmy Cliff) | |
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Sitting here in Limbo
Sitting here in Limbo
I can´t say what life will show me
Sitting here in Limbo |
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(Hans Theessink) | |
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Once I had a good friend - very dear to me
Living in the fast lane - never go slow
Way back in the sixties - I remember well Living in the fast lane ...
Builds walls around you - bars up the door Living in the fast lane ...
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(Hans Theessink) | |
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Starting out of memphis - highway 61
Down in Mississippi (4x)
Yazoo river rolling through the land Down in Mississippi ...
Wade Walton's barbershop - backroom booze Down in Mississippi ...
Brokendown Chevy on a muddy track Down in Mississippi ...
Charly Patton, Fred McDowell, Willie Brown Down in Mississippi ...
Big Joe Williams * Bukka White * Robert Johnson * Jimmy Reed Down in Mississippi ...
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![]() Wade Walton's Barber Shop Clarksdale, Mississippi |
(Hans Theessink) | |
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Baby baby don't you know
Flying shoes - flying shoes
Baby baby take my advice Flying shoes ...
Trouble hiding on a big old tree Flying shoes ... |
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(Hans Theessink) | |
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Bye bye to the concrete - gotta leave the town (2x)
Days are getting longer
I'm gonna sit on the hillside - let the time roll by (2x) Days are getting longer ...
Listen to me mama - let me tell you what we do Days are getting longer ...
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![]() Schiffkowitz, Timischl, Steinbäcker - STS |
(Trad./Arr.: Hans Theessink, from the singing of Garfield Akers) | |
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Yes I rolled and I tumbled - cried the whole night long
Have you ever woke up - your dough-roller gone
Yes, I told my woman - before I left the town
Yes, I fold my arms and slowly walked away
Yes I rolled and I tumbled - cried the whole night long |
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(Trad./Arr.: Hans Theessink, from the singing of Son House) | |
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Don´t you mind people grinning in your face (2x)
Your mother she may talk about you Don´t you mind people grinning in your face ...
They´ll jump you up and they jump you down Don´t you mind people grinning in your face ..
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(Hans Theessink) | |
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If I had money just like Henry Ford (2x)
They accused me of murder - never raised my hand
They accused me of robbery - never took a dime
False accusations - lord can't you hear me cry
If I had money just like Henry Ford
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Journal of American Folklore, (USA) New Music Report, (USA) HiFi Vision, (D) Audio, (D) Musik Express Sounds, (D) 11/90 VOR Magazin, (A) 12/89 Dirty Linen (USA) |
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Hans' innovative interpretations of works by bluesgiants, his deep voice, intimate approach, and acoustic slide guitar will inevitably remind many listeners of Ry Cooder's blues style. It would be a disservice to Theessink however, to cast him as a simple imitator, for he is not. His own songs convey the personal interpretive mood of the best of acoustic blues, and is accomplished in a singular, arresting manner. |
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With a whiskey-soaked voice and the ability to play almost anything with strings well Hans Theessink cooks up a tasty mix of originals and traditional blues. Each song is performed with a sparse yet funky sound. |
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Der Mann ist ein Phänomen. Er ist ein feiner Gitarrist, hat eine angenehme Stimme und er schreibt Songs, die rockende Leichtigkeit mit Folk-Blues Tradition verbinden. (Bob Tilling) |
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Seine Saiteninstrumente zupft HT, als sei er durch die Mississippi-Sümpfe gestreift und dann bei J.J.Cale in die Lehre gegangen. Und so cool - nur besser - singt der Holländer auch. |
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Check this out man: Dieser in Österreich lebende Holländer zupft und singt den Blues wie ein swingender Veteran aus den Sümpfen des Mississippi-Deltas. Eine Prise Western Swing hier, ein Quentchen Swamp-Rock und Cajun da, mal feinster Delta-Blues und zur Abwechslung auch mal ein Karibik-Blues von Jimmy Cliff mit Sitar und Tabla – dieser Hans Theessink kommt mit allen Elementen prächtig klar. Daß er dabei rockt wie J.J.Cale, ist auch kein Fehler, und daß in den Arrangements neben den verschiedenen Gitarren ausgerechnet eine Tuba die Hauptrolle spielt, macht dieses Album endgültig zum Genuß. (gil) |
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GRANDIOS! Für mich ist das die herausragendste einheimische Produktion des Jahres. (Poidinger) |
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When I saw that this CD was available for review, I jumped at the opportunity. I've been playing it on my radio show for a month and like it a lot. Known as the Euro Bluesman, Theessink's new release showcases his fluency in a variety of blues styles. "Travelling Man" and "Shake Hands With the Sun" are country blues/swing tunes in the style of Merle Travis. The traditional delta blues numbers on this CD are also outstanding. Stinging dobro and mandolin licks punctuate the Son House-influenced "Grinning in Your Face" and Theessink's "False Accusations." Jimmy Cliff"s "Sitting in Limbo" is done in a "Caribbean Blues" style with just a hint of its reggae roots. "Flying Shoes" was penned while Theessink was touring with Bo Diddley and features Diddley's classic open chord riff.Hans Theessink's vocal range is similar to Leon Redbone's, but his delivery is much smoother. One listener thought he was hearing new Jerry Jeff Walker material. All of the songs on this CD feature the tuba playing of John Sass. Used in place of a bass guitar, the tuba is an excellent complement to Theessink's deep voice and gives all the songs unique texture. With the exception of the Jimmy Cliff song, Theessink wrote or arranged all the material on this release. He provides lyrics and liner notes, as well as denoting the key in which each song is written. A great CD for a tin-eared living room musician like myself. I not only get to listen to ten excellent blues tunes, I can also play along. (Gerry Lell) |
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