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Journey on
(1997, Blue Groove BG 8020)
Visions | Slow Train | Goin' down slow 2 | Goin' down slow | Bridges |
Songs from the Southland | Banjoman | Lifeline | RTL3 - Gitarre X 3 | Blue Grooves from Vienna | Journey on | Crazy moon | Hard Road Blues | Live | Call Me | Johnny & The Devil | Baby Wants To Boogie | Titanic | Cushioned for a soft ride inside
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Tracks:
· Where The Southern Crosses The Dog |
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(Hans Theessink) | |
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Held a good job in the city
City folks they drive me crazy
Go back - back to the country
We´ll get us some wheels |
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Hans Theessink: guitar, banjo, vocals Jon Sass: tuba Alee Thelfa: drums, tambourine Angus Thomas: bass Christian Dozzler: harmonica Cindy Cashdollar: National steel Richard Bell: organ, wurlitzer piano Terry Evans: backing vocals |
(Hans Theessink) | |
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The road may be rough and rocky
Journey on - journey on
Your friends they may forsake you Journey on - journey on ...
Evil will tell you silver-tongued lies
The road may be rough and rocky Journey on - journey on ... |
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Hans Theessink: guitar, national steel, vocals Jon Sass: tuba Alee Thelfa: drums, tambourine, backing vocals Terry Evans: backing vocals Ray Williams: backing vocals |
(Hans Theessink) | |
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Congregation gathered by the river
Roll on mighty Mississippi - wash your waters to the sea Roll on mighty Mississippi ...
Down in the delta at the crossroads Roll on mighty Mississippi ...
Mojo people gather by the river Roll on mighty Mississippi ... |
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Hans Theessink: vocals, guitar Jon Sass: tuba Alee Thelfa: drums, percussion, djembeh, backing vocals David Pearlman: pedal steel Dorretta Carter: backing vocals Terry Evans: backing vocals |
(Willie Dixon) | |
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I got 29 ways to make it to my baby´s door
One through the basement - two down the hall
I can come through the chimney - like Santa Claus
I got a way through the closet - behind her clothes |
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Hans Theessink: guitar, vocals Alee Thelfa, Terry Evans, Ray Williams: backing vocals |
(Hans Theessink) | |
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Can´t hear no sound - everything seems quiet
Storm warnin - bad weather on the rise
Board up the windows - board up the door Storm warning
Nervous dog in a backyard - a stone´s throw away Storm warning |
![]() Hans Theessink & Angus Thomas
Hans Theessink: guitar, national steel, vocals Jon Sass: tuba Alee Thelfa: drums, percussion, backing vocals Angus Thomas: bass Richard Bell: organ Dorretta Carter: backing vocals |
(Hans Theessink) | |
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If I had wings like a turtle dove
Fly to her doorstep - knock on her window-pane
I will rock you - roll you all night long
Fly to her doorstep - knock on her window-pane
If I had wings like a turtle dove |
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Hans Theessink: guitar, national steel, harmonica, vocals Alee Thelfa: drums Angus Thomas: double bass Terry Evans: backing vocals |
(Hans Theessink) | |
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I was born on a Louisiana road
Louisian´ - Louisian´
I heard Blin Lemon singing in the street
I never will forget that fatal day Louisian´ - Louisian´ ...
Some got six months - some got a year Louisian´ - Louisian´ ...
Let the midnight special shine it´s light on me |
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Hans Theessink: guitar, vocals Jon Sass: tuba Alee Thelfa: drums, backing vocals Christian Dozzler: harmonica Cindy Cashdollar: dobro Dorretta Carter, Terry Evans: backing vocals |
(Hans Theessink) | |
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We gotta run the human race
There´s just one earth - just one sky We gotta run the human race ...
Jehova - Buddha - Allah - Manitou We gotta run the human race ...
Red ´n´ yellow - black ´n´ white
Money makes the world go round - so the proverb says We gotta run the human race ... |
Hans Theessink, Dana Gillespie, Terry Evans, Christian Dozzler & Alee Thelfa
Hans Theessink: guitar, national steel, vocals Dana Gillespie: vocals, backing vocals Alee Thelfa: drums Angus Thomas: bass Christian Dozzler: accordion Terry Evans: backing vocals |
(Leadbelly) | |
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Come along people - listen to me
Me and Martha were standing downstairs
Home of the brave - land of the free
White folks in Washington they do know how
Come along people - listen to me |
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Hans Theessink: 12-string guitar, harmonica, mandolin, vocals Jon Sass: tuba Alee Thelfa: bass drum, tambourine Terry Evans: backing vocals |
(Rufus Thomas) | |
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Baby´s back - dressed in black
Walking the dog
Asked my mother for 15 cents Walking the dog ...
Baby baby - watch your trail Walking the dog ... |
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Hans Theessink: guitar, vocals Terry Evans, Ray Williams, Alee Thelfa: backing vocals |
(Muddy Waters) | |
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Well late over in the evening
Brooks run into the ocean
Minutes seem like hours
Some people tell me |
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Hans Theessink: guitar, mandolin, national steel, vocals |
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The Living Tradition, (UK) September 1998 Folk Roots, (UK) June 1998 Blue Print, (UK) May 1998 Country Gazette, (NL) November 1997 WOM-Journal, (D) September 1997 Musik Express/Sounds, (D) Oktober 1997 Telen Varden, (N) 9. Aug.1998 Ekstra Bladet, (DK) 25. April 1997 |
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The cover shows him barreling a Cadillac convertible through a flatland sunset with his National Steel in the passenger seat. The disc reveals a man as laid-back as the landscape he traverses, singin' the blues with a voice the texture of black molasses and playing guitar as if he were born to it. The overall feel of the music is deeply acoustic, devastating competent and perfect for rural Cadillac driving, though barbs in the lyrics banish any complacency. Deeper listening reveals the care that has gone into the arrangements, resulting in a work that is disarmingly straightforward at the onset, but reveals new treasures at each subsequent listening. In short, it's a diamond. Theessink is deservedly outstanding in his field - Nobody living does it better. (Alan Rose) |
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Despite the lack of even one Robert Johnson number it's hard to see how Hans Theessink could improve Journey On, his latest CD, and probably his best yet. The self-styled Euro-bluesman has long proved that valid blues can be created this side of the Atlantic. Hans is a smooth and competent guitar player, he's blessed with a deep throaty voice, he's an accomplished re-arranger of traditional material and he can craft new songs that blend in seamlessly with the older works. He also finds perfect collaborators to enhance his music which comes together smooth as butter cream and tastes just as sweet. Among the helpers adding extra ingredients to Hans' guitar and vocals on Journey On are Cindy Cashdollar, dobro; Jon Sass, tuba; Alee Thelfa, percussion; and Terry Evans, Dana Gillespie, Ray Williams and Dorretta Carter on backing vocals. It all sounds great and the packaging makes it look good too. The front cover pictures Hans at the wheel of a Cadillac convertible with his shiny National guitar sitting pretty by his side propped up, real comfortable, on the leather seat. Now there's a man who knows how to treat his guitar right! (Dave Peabody) |
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Here are some very tasteful and well produced tracks, including seven striking originals that illustrate that Theessink can write evocative and poetic lyrics. He has a great art of weaving traditional material around his own to create a distinctive and personal sound. This is a highly enjoyable set. (Bob Tilling) |
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Hans Theessink is eigenlijk een bluesman. Maar zijn vnl. akoestische werk ligt zo dicht tussen folk en country in dat je je als het ware in een muzikaal drielandenpunt bevindt. Z'n country-blues heeft inmiddels wereldwijde bekendheid gekregen. Z'n donkere stem en helder gitaarspel en vooral de "slides" op de National guitar vormen prachtige kontrasten met elkaar. Het sonore geluid en de monotone stem zijn als een deksel, passend op een pan met de heerlijkste inhoud. Een nummer als "Set Me Free" laat je huiveren en "29 Ways" swingt dat het een lieve lust is. En steeds die weldadige solo's. Muziek van Hans Theessink verveelt nooit. "Journey On" moet je gewoon kopen! (Hans van Dam) |
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Er ist wirklich ein kleines Ein-Mann-Wunder, dieser Hans Theessink. Der Holländer mit Wahlheimat Österreich, der sich aber mit Vorliebe im Süden der USA herumtreibt, mixt sein persönliches Gebräu aus erdigem Country-Blues mit würzigen Gospel-Kräutern so überzeugend, daß beim unvorbelasteten Hören niemand auf die Idee käme, einen Europäer zu hören. Auch auf "Journey On" klingt seine Stimme wieder lässiger, träger selbst als die von J.J.Cale, tiefer als die von Barry White und so welterfahren wie die von B.B.King. Seine famose amerikanische Band spielt ihr Können mit ähnlich lässiger Kraft aus. Wenn Theessink grummelt "Roll on, mighty Mississippi, roll on.....", Jon Sass seine ultra-fetten Tuba-Baßlinien drunterschiebt und im Hintergrund eine Steelguitar schluchzt, dann geht wirklich der Mond auf ! (C.St.) |
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Mit vom Staub endloser Highways geschmirgelter Stimme singt HT melancholische Blues-Balladen, wie sie schwermütiger selbst Van Morrison nicht interpretieren könnte. Dann wieder pendelt er mit der coolen Lässigkeit eines J.J.Cale zwischen Cajun-Klängen und swingendem Rhythm ‘n Blues oder zupft tiefschwarzen Delta-Blues auf seiner Resonator-Gitarre. |
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Bunnsolide saker. En herlig utgivelse. Hans Theessink gjör Muddy Waters, Rufus Thomas, Leadbelly og Willie Dixon pluss syv egenkomponerte laater. Bunnsolide saker hele veien. Tubaist Jon Sass er med, likesaa Alee Thelfa, Cindy Cashdollar og Richard Bell. Pluss herrlige Terry Evans som mange vil kjenne igjen fra hans samarbeid med Ry Cooder. Og det er litt sent syttitals Coodersk over denne utgivelsen, og slett ikke noe daarligere. Sangene er som en reise i Mississippideltaet. Paa aapningsporet "Where the southern crosses the dog" faar du lyst til a löpe langs skinnegangen fra byen og ut til de langstrakte markerne. Paa "Stormwarning" kann du föle stillheten för styrtregnet gjör asfalten forbi Parchman Farm til en liten elv. Paa "Set me free" kann du sanse Mississippi rulle og paa sistesporet "Feel like going home" sitter du endelig alene paa porch’en i Clarksdale og spiller en hyllest til Muddy paa din akustiske gitar. En herlig reise i lag med sterke musikere, vakre stemmer, gode arrangement og troverdighet og....troverdighet. (Helge Ottesen) |
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HAN ER FANTASTISK – BLUES ****** - En hollaender med fast bopael i Wien, der spiller blues og isaer amerikansk roots-musik, som var han födt med en guitar om halsen af en fordrukken arbejdslös bomuldsplukker fra Louisiana i en baptistkirke paa bredden af Mississippi! Med en stemme saa dyb, sexet og heman-agtig saa man skal helt hen i Leonhard Cohen-afdelingen for at finde noget lignende. Plus at han har et delta-bluesswing og spiller guitar saa prof og overlegent paa en facon, som man normalt kun hörer fra folk som Ry Cooder, Roy Rogers og Mark Knopfler. Men saadan en findes altsaa. Navnet er Hans Theessink. Paa mandag udgiver han cd-en "Journey On". Et noget naert perfekt produkt. Syv hjemmestrikkede sange og fire laante fra mestre som Muddy Waters, Leadbelly, Rufus Thomas og Willie Dixon. Akustisk akkompagnement fra meget faa haandplukkede folk, der faar svineriet til at gynge og svaje saa let og ubesvaeret, saa det naesten er vaemmelig godt. Selv om Hans Theessink af baglandet kaldes bluesmusiker er han en hel masse mere oppe i sit musikalske hoved: rhythm’n blues, country uden rock, jazz, folk, cajun/zydeco og gospel. Alt det blander han paa mesterlig vis sammen paa "Journey On" i en supervarieret cocktail uden nogen fisefornem akademisk holdning og bevidst opvisning i blaererövsteknik. Rock and roll-legenden Bo Diddley har sagt om Hans Theessink: "He’s one helluva guitarplayer!" Det er sandt som det er sagt. Og den stemme ikke at forglemme! (pn) |
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Taking his cues from the '70s output of Ry Cooder, there is nothing in the sound of the Dutch-born and raised Hans Theessink that would indicate he learned his craft from albums and not from being raised in the swamps of Mississippi. His dusky baritone, greasy slide licks, and soulful male backup singers (led by Cooder vet Terry Evans who turns in a stunning performance throughout) plant him firmly into the deep South. The gospel feel of the title track, along with its subtle shuffle beat and rousing yet mellifluous supporting vocalists, sounds as natural as if he spent his entire life soaking up the spirits of the bluesmen he obviously adores. When he and the elegant singers harmonize on "Set Me Free," with pedal steel crying and longtime cohort John Sass' tuba counterpointing the bass, you can almost feel the flies buzzing around your head as you sit beside the banks of the mighty Mississippi. The ghost of Robert Johnson haunts this graceful music, yet the feel is less of the raw Delta blues than of a shimmering, daydream inhabited by the spirits of the swamp. Similar to J.J. Cale, Theessink finds his soul hovering through the backwoods, and with his sympathetic band, he has created an album that is hypnotizing in its intensity. Jaunty covers of Willie Dixon's humorous "29 Ways," Rufus Thomas' classic "Walking the Dog," and Leadbelly's "Bourgeois Blues" all get similar treatment, as Theessink nudges these often-covered tunes into the marsh and mud, wrapping his voice around them and providing interpretations so unique and distinctive it seems he's re-written the songs. An album-closing solo turn on Muddy Waters' "Feel Like Going Home" is a beautiful, sad coda, as the guitarist takes his time languidly unspooling the track, as if he's playing at home alone. In fact, the entire disc sounds comfy and cozy, with Theessink secure in his talents and especially those of his remarkable band. This is an artist steeped in the blues, but like Ry Cooder, one who successfully interprets it in his own characteristic fashion, which is what makes Journey On so consistently engaging, on so many levels. (Hal Horowitz) |
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